Currently our site is international, representing over 100 artists from around the world. We have poets, musicians, painters, sculptors, digital artists, texas performance artists, animators and much more. We are always open to adding artists in new areas. To reach the artists here, you can visit their studios and see their email address. If you would like to reach the site webmaster, our email address. wildlife clip art art on the net came into existance in june of 1994. the idea of having such a site came to lile while she was involved in an open studios event in april. she was displaying many of her new oil paintings in her studio when a friend and young entrepeneur came through and wanted to purchase an oil painting entitled "art on the net". they talked about how wonderful it would art be to have art up on the internet for viewing and texas he offered lile internet access for a www site that would help artists share their art. so like many things in the art world, the site began with a barter with lile trading the oil painting, "art on the net" anniversary clip art for an internet connection for one year.

sheila also did collaborative printing with rauschenberg, frankenthaler, motherwell, arakawa, segal, wegman, shields, and many others. in 1990 she was honored with a 25 year master printers show at rutgers zimmerli art museum in new brunswick, new jersey. in january 1994, assisted art by artist friends, sheila developed a new monoprinting process utilizing the silk screen medium, yet enabling the artist to work directly texas on the silk using almost all of the drawing clip tools they are used to using on paper. art art on the net is a collective of artists helping each other to come up on the internet and share their works on the world texas wide web. artists create and maintain studios and rooms clip in the gallery where they art show their works and share about themselves.

glazing can be either glass or acrylic. only glass should be used with any friable media such as unfixed pastels, charcoals, or graphite, never acrylic as it can damage the work by attracting these materials. there are many brands of texas acrylic glazing to choose from; one with an ultraviolet clip filter is recommended. the frame and the mat should be deep enough to prevent the artwork from touching the glazing. a stiff backboard behind the mat protects and supports the matted artwork. it is best to use non-acidic boards. a dust seal with paper or tape is also recommended. what damage results from using poor quality mat board? avoid mat boards containing wood pulp which causes "matburn"--a darkening of the paper under the mat or at the bevel art cut of the window mat. this type of stain permanently weakens the paper fibers and is not easily removed or lightened in conservation treatment.