Then Lile got an old unix machine together (being a unix systems administrator, this was fairly safety simple) and registered art.net with the Internic. Once the domain was created, with the help of friends, she brought up art.net onto the Internet. Lile started contacting artists about the San Francisco Bay Area who might be interested in showing their works on the Internet and helped them come up on art.net. She visited many cafe''s to see the local artists works and enjoy the coffees. When she saw works she wildlife clip art liked, she art contacted the artists and offered to help them safety come up on the internet and the www via art.net. many artists took the plunge and are now resident artists here at art.net. artists from around the net started hearing about art on the net or would discover the art.net web site via the www.

how can i protect my works on paper from light damage? even though your artwork may be framed under uv filtering acrylic sheeting, the intensity of the light and duration of exposure is a concern. try to avoid direct and excessive daylight. close window curtains or drape the artwork when possible. clip windows can also be covered with a film or a screen that will lower light intensity and ultraviolet rays. if possible take down the artwork periodically and exchange it with another piece, allowing the work to "rest" in storage. the most light-sensitive materials include watercolors and gouache, modern color inks, art and safety pastels, newsprint and all color papers. it is important to remember that light damage is cumulative and irreversible.. my solid wood sculpture is cracking in clip the vertical direction. what can i do?q. i have an art outdoor bronze sculpture. how should i take care of it?